Pan Caravel the No-Place

Pan Caravel was located in the outermost corner of the Laniakea cluster, on an intergalactic backwater piece of rock. If a starjock happened to chance by the exact coordinates, she would simply see a bunch of rocks. But if you knew where to look, Pan Caravel was one of the most powerful places in the universe, smack in the middle of cosmic faultlines that could allegedly lead to an adjacent bubble universe.

For most people of Intergalactica, the asteroid city was a legend. And why wouldn’t it be? While phase jumping was pretty much everyday in Intergalactica, junctions – connections between bubble universes in the cosmic multiversal froth – were thought of as purely fictitious. Everybody phases back. All higher dimensions connected eventually back to the three macroscopic dimensions of the known universe.

Brenton landed the skeetship. He stayed behind while Sie got out to get the lay of the land. She’d sent the message to the people The Librarian had introduced to her to meet her. They’d just told her to find the local bar. Given how small the little habitat was, she suspected that wouldn’t be much of a problem. The whole thing could have only a handful of inhabitants, a few thousand at most.

Sie stopped a heavily augmented person to ask the way. He or she, as it was hard to tell which, raised their drawn bioluminsescent pink eyebrows and pointed the way. Sie nodded a curt thanks and followed the directions. She came by a dirty saloon not unlike those on the lower levels of the Souk she’d seen pirates and smugglers frequent when they were off duty. She’d been to the Souk only once, but somehow this place reminded her of it. It smelled the same.

Lyra the Cosmic Space Pirate Queen

The silver pirate flagship rushed through space to intercept the hapless prey that had sailed through the stars for ten thousand years. A cloud of ice blew away, like ocean foam, in front of the massive pirate spaceship as it cut through spacetime.

The pirate flagship’s silver hull rippled and foamed and coursed like a living thing or perhaps like a living ocean made of quicksilver, constantly adjusting to the variables in local spacetime geometry, blocking off debris and other collision threats, quickly heating back to the ambient outer space temperature of 2.7K after being cooled down to almost absolute zero to perform the phase space jumps that had got it here.

The prey was an ancient ramjet launched from a Lost World ten thousand years ago. It was massive, spanning two miles from bow to aft. Yet the pirate flagship Night Wing dwarfed it, making the ramjet look tiny compared to the flagship’s majestic thirty miles of quicksilver hull.

On the command deck of Night Wing stood its captain, the commander in chief of a vast pirate crew, one of the most feared pirates in the galaxies, the terror of known space and beyond. The pirate captain stood on the bridge, legs wide, arms folded, watching at the massive display screen as the little ship, marked by a red dotted circle on her Augmented Reality layer, grew larger on the display as the flagship approached it.

She wore a crimson knee length flowing jacket that moved in the still air of the command deck like it was blowing in the wind. Attached to her shoulders was a long, smooth, gold-embroidered red cape that also flowed, probably powered by some microscopic robots, if not even nanites. Her large eyes glittered in otherworldly hues of gold and the deepest of blue due to the visual augmentations she had had installed over the millennia.

In her eyes there was a twinkle of pure joy. The joy of expectation, of the hunt. A wide grin grew on her face as the pirates approached their hapless prey, now almost within boarding distance.

By now the target ship was aware of the presence of the hulking pirate vessel, the ancient ramjet’s crew engaged in speculation of whether the newcomer was friend or foe. In forty five minutes all speculation would have come to a conclusion. In three hours, the last remnants of an entire civilization that had lasted for more than ten thousand years would be eradicated.

For now, however, the pirates had work to do.

“Good job, boys,” Lyra, the Cosmic Space Pirate Queen, said to her crew, smiling widely. “Let’s go get ’em.”

Voxel EP is now available on Spotify and iTunes

Voxel EP

Voxels are these square things you can use to represent three-dimensional space. They’re like pixels but in 3D.

Voxels are used in 3D games and brain imaging. Minecraft has voxel blocks you can use to build cool stuff, virtual stuff. Legos are like voxel blocks in real life.

Voxels are cool. Square, but cool.

The Voxel EP is now available on Spotify, iTunes and all major digital distributors.

Listen on Spotify.

Get a copy on iTunes.

Write a comment below.

Finders Keepers (lyrics)

You can run and you
You surely can hide

You, the fleet-footed hare,
Can run from the sky

Dive deep enough
You can crouch in the rough

The green never
Has had this mesmerizing sheen

Rolling in the hay
Diving like Scrooge

This, my friend, this is life
In livelies hues

Sun ups the pace
Speeds up in the race

You see, rules are
It’s finders keepers all the way

At this rainbow’s end
Hid in the pot

A green hanging, ticking fish
Thrones wrongly got

Looking glass games
Don’t quite work with true names

You see, rules are
It’s finders keepers all the way

The Games We Play (lyrics)

The morning star is rising again
Reborn out of a candle flame
It is but just a silly game we play

Seconds chasing one another
The time draws near but scarce few bother
It is but all these silly games we play

The honey tongue spins sweet little lies
Rumpelstiltskin in disguise
It is but all these silly games we play

Pawn and bishop play as equal
The golden yarn shines lustrous to all
It is but just a silly game we play

From Voxel EP.

All Tomorrows (lyrics)

Jenny’s got a brand new song
It keeps on playing in her head

I guess she liked it first
But now she’s hoping that the song would go away

It’s always so easy to crave
All tomorrows that will save
From the silence that life still
Feels like today

The thing is that no matter what she does
The song sits stuck tight in her head

It’s numbing repetition makes her think
It’s like these days, their all the same

She walked into the diner
Humming to the song and missed a change

The world slipped for a moment further from her
Gave the change the space to grow

It’s always so easy…

Now Jenny sees the change she’s brought about
By humming to that sticky tune

The contrasts have grown deeper
Sunlight scatters in a new, peculiar way

She looks out of the window
At the people hurrying down the street

And no one stops to note her Mona Lisa smile
She knows how they must feel

It’s always so easy…

Floex: Zorya – Scandinavian-style Classy Electronica from the Czech Republic

I find the Czech one-man-band Floex, also known as Tomáš Dvorák, some of the most interesting music out there right now. While my favorite out of all of Dvorak’s productions is the hauntingly beautiful soundtrack for the excellent game Machinarium, his latest release, Zorya does not trail far behind.

Dvorak has an amazing scale of expression, ranging from very contemporary electornica gimmickry to traditional jazz to film music mainstays. The closest comparisons that come to mind are, for some weird reason, all Scandinavian: the Danish Trentemøller, the early releases of the Norwegian Röyksopp, and the Finnish (yes, Finnish) Roberto Rodriguez. Throw these three into blender in a perfect mix, and you would probably get something quite close to Floex. There are also flavors that remind me of more eccentric electronica such as Boards of Canada and Mouse on Mars. And, of course, the Mark Bell era of Björk.

All together, the Czech musical genius Dvorák has managed to create another haunting and beautiful masterpiece that will certainly last several listening-throughs. If you are into classy intelligent electronica, be sure to check it out here.